susannah farrugia

photography


  1. il-ġebla 
  2. somewhere in the mediterranean
  3. backpacking south east asia: coming soon
  4. ongoing travelogue
  5. commissions


projects


  1. the architecture of inhabitation
  2. a living city: co-creating our human habitat
  3. the magic of temporality & fleetingness
  4. the network of resources
  5. the garden as therapy
  6. rituals in rock & clay
  7. the school beneath the hills
  8. contemporary boathouse 
  9. valletta power station
  10. lab / prototype
  11. matter make
  12. playscape


workshops


  1. eros in transgression @ re:easa
  2. cairn @ easa tourist
  3. day night day night day
  4. skalda


links


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index ︎
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contact ︎

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about


susannah is a maltese architectural designer & photographer who graduated from the university of malta with a special interest in social architecture, spatial agency & inhabitation.

in her photography, she shoots a mix of 35mm film & digital.
etrenally inspired by the maltese islands & their geographical landscape, her work expresses the language of ancient rock, cystal waters, crusty sea salt tracing constellations on one’s skin & the warmth of the sun. the architectural compositions these elements naturally form & people’s interaction with this environment become moments of presence & wonder. she seeks to tell the story of the sense of home this little floating rock encapsulates within the wider themes of mediterranean-ness & culture.

a collector of rocks, seashells, books & records, her other interests include beach-exploring, hiking, travelling & cooking (but more so eating).


all images
© 2020-2024 susannah farrugia

Mark

1. il-ġebla


english translation: the rock



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2022
the golden days


            & the living is easy


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hands hard at work, hands flowing like the waves


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meditating megaliths


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castles in the sky


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incisions & remains


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a man-made crevice slicing through time



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geological time is written in the rocks


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a geological playscape
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dust settles upon a lunar landscape


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glittering seas


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2021
looking for patterns in a scattered landscape


            weaving new narratives from the disparate  fragments left behind... it was the age of uncertainty, things changed slowly then all at once. we could all sense a new era on the horizon; so we distracted ourselves with the task of picking up the pieces, jumbling them up, & trying to form new patterns.



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how to befriend a rock



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like floating white clouds on the horizon


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sirens who grew legs & climbed ashore



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we are made of the same limestone we lie on & the sea we swim in, their particles forever infused within our bodies



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the island which shapes us, such that we follow the same curves



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wrapped in dappled sunlight as we lay beneath the olive tree branches



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boulders eroded slowly by the incessant soft kisses of the sea



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ta’ rita


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landscapes of infrastructure



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2020
living in rocks by the sea


           that summer the pandemic hit, we were like creatures crawling out of our homes to claim our own slice of seaside & sunshine


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carved by water nymphs


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as summer draws to a close, the coastal realm slowly becomes an uninhabited shell as we retreat to the island’s centre, leaving a string of traces behind



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appendages of the coastline / human deposits



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the architecture of inhabitation


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the new doric


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is-simenta: what if islands just floated on the sea like rafts?


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kappella fuq kemmuna


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lunar landscapes



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coastal extractions



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fairy pools to bathe in



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grottli telgħin mal-blat



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dwellings, like seashells, cling onto the rocks & allows us to curl up in them



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earth moulded by sea & sky



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olive-picking & spiru


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flower bed


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the inhabited pathway


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2019
more stories from a limestone isle


          reading the tales embodied within the rocks



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ode to the sister island


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2018
upon returning to the rock


           i experienced a newfound sense of what it means to come home. suddenly, the landscape i previously believed to be dull & uninspiring was emerging as an exciting & novel form, begging to be discovered. the rocks looked different now. their colour no longer appeared homogenous but lured me in, tempting me to wrap myself in their honey-coloured hues.




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pater & rock:
the smooth back of one against the rough face of the other.



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2017
disposable daydreams


          sweet memories of strawberry fields in early summer



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Mark