susannah farrugia

photography


  1. il-ġebla 
  2. somewhere in the mediterranean
  3. backpacking south east asia: coming soon
  4. ongoing travelogue
  5. commissions


projects


  1. the architecture of inhabitation
  2. a living city: co-creating our human habitat
  3. the magic of temporality & fleetingness
  4. the network of resources
  5. the garden as therapy
  6. rituals in rock & clay
  7. the school beneath the hills
  8. contemporary boathouse 
  9. valletta power station
  10. lab / prototype
  11. matter make
  12. playscape


workshops


  1. eros in transgression @ re:easa
  2. cairn @ easa tourist
  3. day night day night day
  4. skalda


links


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about


susannah is a maltese architectural designer & photographer who graduated from the university of malta with a special interest in social architecture, spatial agency & inhabitation.

in her photography, she shoots a mix of 35mm film & digital.
etrenally inspired by the maltese islands & their geographical landscape, her work expresses the language of ancient rock, cystal waters, crusty sea salt tracing constellations on one’s skin & the warmth of the sun. the architectural compositions these elements naturally form & people’s interaction with this environment become moments of presence & wonder. she seeks to tell the story of the sense of home this little floating rock encapsulates within the wider themes of mediterranean-ness & culture.

a collector of rocks, seashells, books & records, her other interests include beach-exploring, hiking, travelling & cooking (but more so eating).


all images
© 2020-2024 susannah farrugia

Mark

8. contemporary boathouse



under the boathouse arches


2018
b.sc. y3 s1


            in recent years, the sea front of pieta’ has been engulfed by a luxury marina, stripping the community from its connection with the sea and their beloved boathouse. 

despite its recent transformation into a high class restaurant serving the marina community, the boathouse retains a strong image within the collecttive memory of pieta’ locals & their identity. thus, a contemporary boathouse is imagined... one which seeks to return a sense of belonging and identity to the pieta’ locals, while empowering them in their recolonisation of the coastline.

in an attempt to foster a symbiotic relationship, the boathouse is re-imagined as a space for docking local’s small boats on the lower levels while also creating a fish market managed by local fishermen on the upper level, thus promoting a sea to table approach not just for the residents of pieta’, but also for the marina-community & the boathouse restaurant.

the boathouse provides a common ground for negotiation between pieta’ locals & marina users but undeniably belongs to the local community.  in claiming a stretch of coastline for the locals, the contemporary boathouse allows the community to assert its presence along the sea front, while enabling them to make use of the sea to fish, sail, work, eat, socialise & live.











the architectural language of the contemporary boathouse is characterised by a play in levels, encouraging spontaneous interaction between the docking area below & the fish market above while allowing fishermen to easily haul produce from their crafts to their stall.


collage of fish market stall area


collage of boathouse from sea


collage of lower boathouse levels & upper fish market levels


iso view





physical model: experimentation with levels
Mark